Showing posts with label Formosan Cup. Show all posts
Showing posts with label Formosan Cup. Show all posts

Wednesday, August 25, 2010

Day 216: Field Notes

(Nikon D90, 35mm DX, f/2.8, 1/40, ISO 400)

It's a Wednesday, so naturally there's some downtime involved.  Necessarily so especially given the past weekend.  Rather than throw you - kind reader - another desk or laptop photo, I figured I'd toss you some slightly different filler material.  It might actually be useful.

It's occured to me that while I've dropped notes on how I shoot softball here and there, I've never really formally "talked" about it.  Thus, a concise post on just how I get what I get on the diamond, for those of you who haven't been reading my previous posts (you probably should, if you haven't to avoid missing any golden nuggets of information; and by that I mean... gossip material... for when you have nothing better to do than gossip about me... erm... okay I'll stop now).

Firstly, two things to remember everytime you step onto the field:

1. Never ever interfere with the play, even if it means missing the shot.  The umpires and players are most likely cutting you slack by letting you on there in the first place. 
2. Stay alert.  Plays happen all the time, and while it's easier to setup a shot in softball than most sports, unpredictable things can still happen.  Additionally, you'll want to keep a watchful eye for the safety of both you and your equipment.  No sense going out there if you're going to fall asleep and get taken out by a bad relay from the outfield or a missed throw to first.

Lets start off with a (probably not-so-useful) visual aid.

(Nikon D90, 35mm DX, f/5.6, 1/50, ISO 800)

Perhaps one of the most important things to consider is placement.  After several close calls and one hit, I now do all of my shooting from the infield, where it's generally much safer, sans the occasional foul ball that comes slow enough towards you for reflexes to kick in.  Specifically, if given the choice, I'd choose the middle space between home and first/third.  This is highly dependant on the field though, as such a position could potentially put you dangerously close to the running path.

Shooting from first allows for a good view of the left fielder, third baseman, shortstop and right-handed batters (aka most hitters).  If you've got a mid-range to wide lens you can also get some pretty good angles on first.  Shooting from third allows for great angles of the right fielder, second base (where most slides will probably occur - something to consider when an aggressive player is on first), first base, and left-handed hitters.  Speaking of batters, I generally like to get the moment of contact (or very close to after it), or the immediate follow-through.  To do so requires you focus on the batter, and await press the shutter just before or as soon as you hear the 'ping!'.  This isn't really required if you can gun it at high frame rates (8+ fps).  If you shoot right eyed (that is, your right eye looks through the viewfinder) from the third base line, you can help yourself by keeping your left eye open and watching the picther throw his pitch to help with your timing.  Vice versa for left eyed shooters from the first base side.

As mentioned, mental alertness is key.  Take notes during the game on player habbits.  Who's aggressive?  Where did he/she hit last time?  How is the defense playing him/her?  Knowing these things gives you that extra split second to pre-focus (hope you've got a fast focusing lens!) on the spot where the play is going to happen.

About the only drawback with where I stand is that I can't get very many good shots of outfielders.  Sadly, you'll have to find alternative means with longer (and probably more expensive, since you'll need fast lenses) lenses beyond the still somewhat affordable 70-200.  If the park isn't fenced all the way around, you could stand in foul territory out in right and left field, but you'll have to stay very aware of fly balls and line-drives that are coming your way. 

Equipment and settings wise, it's a simpler game.  I generally shoot with two bodies, which at present are my D90 and D60, the former being my primary camera and the latter my secondary.  I have a Sigma 70-200 HSM II on my D90, and depending on the time of day either an 18-55 VR or 35mm f/1.8 on my D60.  Don't bother with flash, it'll just get you kicked off the field faster.  I generally shoot in Aperture Priority to maintain constant depth of field (I'm not too anal about shutter speeds.  Somewhere past 1/500 is generally good enough.  The faster the better), with AF-mode set to AF-C(ontinuous).  My AF-area mode is set to Dynamic on Nikons, meaning if the subject momentarily moves out of my selected focus point then the camera will adjust focus to follow.  My cameras are both set to Continuous shooting, in the case of the D90, Continuous-High, so that when the need arises you can just gun it and usually come out with at least one frame that's in-focus.

That's about it.  Make sure to keep an eye on your memory card and swap out before it gets full.  The rest is all timing, a little luck, and mashing that shutter.  Happy shooting!

Sunday, August 22, 2010

Day 215: Xs and Ps

(Nikon D90, 35mm DX, f/2.8, 1/25, ISO 200)

You knew it was coming (if you've been reading this blog).  The inevitable "laptop" picture.  Spent most of this day pushing X and P, which in Lightroom are hotkeys for selecting 'Reject' or 'Pick' for photos.  Most of the time I press X, in order to slim down the number of pictures that I have, often times picking out one particular frame from a burst.  Usually only about 25% of the photos that I take on a given day survive this process.  The rest get dumped, into the land of nothingness, known as the Recycling Bin on PCs.

This process in particular takes a little longer when one shoots over a dozen games in the span of three days.  I already have trouble with one or two over a weekend... so when I get six times that load, well... you've already seen.  It takes about two and a half weeks to clear up such a backlog.

Granted, there was a lot to talk about for Formosan, and there may still be a little bit extra.  Never really spent much time talking about the photo process behind it.  Hopefully I'll get to that in the next post.

More to come.

Wednesday, August 18, 2010

Day 214: Turn It Up

Back Row (Left to Right): Will, Albert, James, Ken, Ben, Chung, Brian, Wesley, Bryan, Winson, Justin
Front Row (Left to Right): Danielle, Denise, Diane, Diana
(Nikon D90, 35mm DX, f/6.3, 1/80, ISO 800)

What a weekend.  The third and final day of Formosan, after the break.

Friday, August 13, 2010

Day 213: Two To One

(Nikon D60, 18-55 VR @ 18mm, f/3.5, 1/2500, ISO 400)

Day 2 of the Formosan Cup.  Two recreational teams start, but at the end of the day only a three-pitch team remains.  Read on... after the break.

Wednesday, August 11, 2010

Day 212: The Next Generation

Back Row (Left to Right): Jonathan, Jeffrey, Derrick, Geoffrey, Wesley, James, Martin, Gordon, Elijah, Don
Front Row (Left to Right): Rachel, Cindy, Vivian, Candace, Eva
(Nikon D90, 35mm DX, f/5.6, 1/200, ISO 800, Flash @ TTL)

Great softball, bad photos.  The first in a three-part series on quite possibly the best weekend of the entire summer.  More after the break.

Day 211: Anticipation

(Nikon D60, 18-55 VR @ 27mm, f/4, 1/15, ISO 800, -0.67 EV)

Last year, during the Civic Holiday weekend I attended the Formosan Cup - a local softball tournament hosted by the Taiwanese Canadian Association of Toronto for the past thirty-five years.  Like last year, this year's tournament is primarily being held in Markham at the Milliken Mills Park, near my old high school.  I was certainly expecting more out of this year's tournament than last, given that I was slated to follow two teams over the course of the long weekend. 

While I didn't know it at the time, it would turn out to be one of (if not THE) best weekends of this summer.  More on that in the next three posts.